Fujifilm Announces eXtended Data Firmware Update Available for FUJINON Premista Series

Premistas are the first Large Format zoom lenses to provide eXtended Data, just in time for the wave of virtual production

Valhalla, N.Y. – FUJIFILM North America Corporation is pleased to announce the availability of a ZEISS eXtended Data firmware update for the FUJINON Premista Series lenses. The 28-100mm T2.9 and the 80-250mm T2.9-3.5 can now be updated at any Fujifilm Optical Devices Service Center. The early 2021 delivery of the much anticipated Premista 19-45mm T2.9 will ship with full eXtended Data functionality. Continue reading “Fujifilm Announces eXtended Data Firmware Update Available for FUJINON Premista Series”

Fujifilm Announces the Development of Fujinon Premista 19-45mm T2.9 Large-Format Cine Lens

Fujifilm officially announced the development of the FUJINON Premista 19-45mm T2.9 lightweight wide cinema zoom lens (“Premista 19-45mm”) for large format sensor cameras, as well as preview the SK35-700mm telephoto PL mount box lens.

Fujinon Premista 19-45mm T2.9 Large-Format Cine Lens (PL) is now listed at B&H.

Key Features:

  • Covers Large-Format Sensor Size
  • 46.3mm Diameter Image Circle
  • ZEISS eXtended & Cooke /i Lens Data
  • 280° Focus Rotation
  • Covers up to large-format sensors
  • Constant T2.9 maximum aperture across 19 to 45mm focal length
  • PL mount with hex-adjustable flange focal distance
  • Compatible with both ZEISS eXtended Data and Cooke /i Technology lens data
  • Premium optical quality with low distortion from center to corners
  • Sharp imaging with minimal aberration at any position or distance from the subject
  • High dynamic range; suppresses unwanted flare and ghosting
  • Color-matching to Fujifilm cine lens lineup simplifies color grading
  • 13-blade iris for smooth bokeh effects
  • Wide 280° of barrel rotation for precision focusing
  • Focus marks in both feet and meters

Continue reading “Fujifilm Announces the Development of Fujinon Premista 19-45mm T2.9 Large-Format Cine Lens”