Here are the Best Lenses for Sony a7C camera. Looking for the best lenses for Sony a7C? Check out the top recommended full frame E-mount lenses for Sony a7C mirrorless shooter.
The Sony a7C is the world’s smallest and lightest full-frame body combining Sony’s full-frame image quality, advanced AF capabilities and versatile video shooting functions in a stunningly light and compact design.
Featuring a 24.2MP Exmor R BSI CMOS sensor and BIONZ X image processing engine, the Sony a7C supports up to a 15 stop dynamic range along with UHD 4K30p video recording with HLG & S-Log3 gammas, extended sensitivity from ISO 50-204800, and a top continuous shooting rate of 10 fps for working with moving subjects. The Sony a7C also supports 16-bit processing and 14-bit RAW output for natural gradations.
As a result the Sony a7C (Amazon, B&H, Adorama) is an ideal mirrorless camera for shooting everyday photography and movies such as nature, portraits, sports, street photography and more. In this article we list the top recommended and most suitable native full-frame E-mount lenses for Sony a7C mirrorless camera including leading prime and zoom options from wide-angle to telephoto. Here we go :
Best Lenses for Sony a7C
Full List of Recommended Sony a7C Lenses
Kit Lens | All-in-One Lenses | Standard Prime Lenses | Standard Zoom Lenses | Wide-angle Zoom Lenses | Wide-angle Prime Lenses | Ultra Wide Angle Primes | Street & Walk Around Lenses | Portrait Lenses | Macro Lenses | Telephoto Prime Lenses | Telephoto Zoom Lenses | Super Telephoto Zooms
Sony a7C Kit Lens
A great lens for everyday shooting, scenery, portraits, travel as well as vlogging.
For about $300 more than the cost of the Sony a7C camera body alone, you can get the world’s smallest and lightest standard zoom lens. When combined with the a7C, this versatile combination delivers an experience unlike any other, maximising portability and versatility without sacrificing any of the power of full-frame imaging. At 5.9oz (167g) and 2.6 inches dia. x 1.8 inches length (66.6 mm dia. x 45 mm length), along with its mechanical and optimal optical design that features a retracting structure, the FE 28-60mm F4-5.6 achieves unrivaled compactness and lightness, allowing users to easily carry it all the time. From everyday shooting to scenery, portraits and travel, it’s the ideal lens for any type of on-the-go shooting in a wide variety of environments. Optimal arrangement of the three aspherical lens elements effectively suppresses aberrations throughout the zoom range and realizes high resolution from corner to corner. A minimum focus distance of 0.99 foot (0.3m) (wide-angle) to 1.48 feet (0.45m) (telephoto) delivers close-up capability, making it perfect for everyday use or vlogging with a gimbal or grip. So, if you are in the process of buying the Sony a7C body, we really love the value of the Sony a7C with 28-60mm lens kit. If you already own the Sony a7C body, there are some other attractive options below.
|Sony a7C with 28-60mm Lens||$2,098||Amazon | B&H | Adorama|
|Sony FE 28-60mm f/4-5.6||$498||Amazon | B&H | Adorama|
Best All-in-One Lenses for Sony a7C
The Tamron 28-200mm F2.8-5.6 is the world’s first all-in-one-zoom to achieve a maximum aperture of F2.8 at the 28mm wide-angle end. Its expansive focal length ranging from 28 to 200mm makes this Tamron lens suitable for wide-angle shooting of sweeping landscapes to close-up and compressive compositions at telephoto. The f/2.8 fast-maximum aperture provides astonishing image quality that helps enhance the camera’s potential for various photographic applications. The Tamron 28-200mm f/2.8-5.6’s optical construction uses 18 elements in 14 groups design featuring LD (Low Dispersion) and XLD (eXtra Low Dispersion) lens elements. These special lens elements are precisely arranged to help minimize suppress chromatic aberrations rendering high-quality images with edge-to-edge clarity. Perfectly suitable for close-ups, the lens offers a Minimum Object Distance (MOD) of 0.19m with a magnification ratio of 1:3.1 at its lower focal range, while at 200mm (tele) the MOD is 0.8m with a magnification ratio of 1:3.8. It measures 4.6 inches in length and weighs just 20.3-ounces, and accepts filters of 67mm diameter. The amazingly compact size, light weight and reasonable price made the lens immediately wildly popular with photographers around the world.
Able to cover everything from wide-angle to telephoto in a single compact form factor, the Sony FE 24-240mm f/3.5-6.3 OSS lens is a one-lens solution that can reduce baggage when traveling and maximize efficiency at busy events, and it is ideal for landscape, snapshots, portraits and travel where reducing luggage is a priority. The ability to switch from wide angle to telephoto without having to change lenses also means that more of those fleeting moments that make great shots will be captured. A variable f/3.5-6.3 aperture helps keep lens size and weight to a minimum while still offering an outstanding 10x zoom range. Also, it has a linear autofocus motor and internal focus design that provides fast, accurate, and reliable focusing. Further benefitting use is built-in Optical SteadyShot image stabilization that reduces the impact of camera shake, especially at longer focal lengths. The lens is dust and moisture resistant as well, for operation in less-than-ideal conditions. All in all, it is reasonably priced and the ultimate choice in convenience, and it’s an okay solution for those on a budget.
|Tamron 28-200mm f/2.8-5.6 Di III RXD||$729||Amazon | B&H|
|Sony FE 24-240mm f/3.5-6.3 OSS||$1,048||Amazon | B&H|
Best Standard Prime Lenses for Sony a7C
Delivering beautiful rendering as well as exceptional sharpness, this Sony Zeiss FE 55mm f/1.8 prime lens is an obvious choice for portraiture, low-light and everyday photographic assignments. From an image quality standpoint, the Sony Zeiss FE 55mm f/1.8 is surprisingly impressive. It features a very fast and bright f/1.8 maximum aperture to support working in dimly-lit conditions and for greater control over focus for shallow depth of field imagery, and it has smaller size and lower price than the Sony Zeiss 50mm f/1.4. By using three aspherical elements and Zeiss’s legendary T* anti-reflective coating, this lens exhibits an absolute minimum of aberrations and flare. It also has a linear autofocus motor and internal focus design for fast, responsive AF and achieving a minimum focus distance of 1.6′. Additionally, the lens is dust and moisture resistant and uses a nine-blade circular diaphragm for smooth, rounded bokeh.
With its normal perspective, fast maximum aperture, and high-end design, the Sony Zeiss FE 50mm f/1.4 ZA standard prime lens is perfect for a wide range of uses including portrait, wedding, detail shots, beautifully manipulated depth-of-field shots and more. Starting off with the fast f/1.4 maximum aperture, photographers and videographers will enjoy exceptional low-light performance along with the ability to create shallow depth-of field effects. 12 Elements in 9 Groups with two aspherical elements, including a high-precision AA (advanced aspherical) type and ED (Extra-low Dispersion) glass element, help maintain outstanding contrast and resolution right out to the image periphery. A physical aperture ring is present on the lens which can be de-clicked at the flip of a switch, making this a great option for video in addition to stills. An eleven-blade circular diaphragm further improves image quality by ensuring smooth bokeh at a wide range of aperture settings. Compared to Sony Zeiss FE 55mm f/1.8, it has better low light performance and bokeh: excellent image quality, superb sharpness, smooth bokeh and well built.
A simple, bright, and lightweight normal prime, the Sony FE 50mm f/1.8 is a versatile normal-length prime lens well-suited for everyday shooting, while the fast f/1.8 maximum aperture benefits working in low-light conditions as well as offers increased control over depth of field for selective focus imagery. The optical design incorporates one aspherical element to control spherical aberrations, an employs a double-gauss configuration in order to realize sharper, clearer image quality throughout the aperture range with reduced field curvature. A DC actuator is also employed to provide quick and precise autofocus performance that is also quiet to suit video recording applications. Simply put, weighing in at less than 7 oz (192 g), the new lightweight FE 50mm F1.8 “normal” prime lens (model SEL50F18F) delivers an outstanding blend of performance, compactness and value, making it a perfect choice for hobbyist photographers and videographers looking to experience the benefits of a wide aperture prime lens at an attainable cost.
|Sony Zeiss FE 55mm f/1.8||$998||Amazon | B&H|
|Sony Zeiss FE 50mm f/1.4||$1,498||Amazon | B&H|
|Rokinon AF 50mm f/1.4 FE||$699||Amazon | B&H|
|Sony FE 50mm f/1.8||$248||Amazon | B&H|
Best Standard Zoom Lenses for Sony a7C
The Sony FE 24-70mm f/2.8 GM lens is the ultimate choice for those seeking the highest possible optical performance for portrait, travel and event photography or even simple everyday shooting. This lens is built with three aspherical elements including a newly developed, extremely precise XA (extreme aspherical) element that reduces aberration and delivers the ultimate resolution throughout the entire zoom range and aperture range, as well as from corner to corner of all image files. Additionally, an ED (Extra-low-Dispersion) glass element and Super ED glass element keep chromatic aberration to a minimum while maximising resolution and bokeh without any unnatural colouration. The lens also features a 9-bladed aperture that maintains a near circular shape at all settings and is coated with Sony’s original Nano AR coating to suppress reflections and ensure spectacular contrast and clarity. In addition, the Sony FE 24-70mm f/2.8 GM lens has a direct drive SSM (Super Sonic wave Motor) focusing system that works with incredible efficiency thanks to a new set of algorithms that position the lens elements quickly and accurately. The motor is smooth and quiet, making it an ideal choice for shooting both still images as well as movies.
Blending a sleek form-factor with a versatile working range, the Tamron 28-75mm F2.8 for Sony E-mount strikes a beautiful balance between vibrant image quality, superb bokeh, compact size and lighter weight. Spanning wide-angle to portrait-length, a constant f/2.8 maximum aperture complements this range and affords increased control over depth of field along with enhanced low-light performance. The optical design incorporates a series of low dispersion and aspherical elements, which produce a highly corrected image with reduced spherical and chromatic aberrations for improved sharpness and clarity. All the lens surface is treated with Tamron’s proprietary BBAR (Broad-Band Anti-Reflection) Coating, which dramatically reduces ghosting and flaring while preserving crisp image quality. It also incorporates an all-new high-speed precision AF drive system with an RXD (Rapid eXtra-silent stepping Drive) motor unit that is remarkably quiet. all its full-frame beauty. In addition to portraits, nature shots and street photography, the 0.19m Minimum Object Distance lets you enjoy new forms of photographic expression with close-up shooting at the wide-angle end. With Moisture-Resistant Construction and Fluorine Coating, this lens offers exceptional mobility and outdoor functionality. This Tamron 28-75mm f/2.8 Di III RXD lens is a very popular option for travel and event photography, walkaround and family shots.
The newly-designed Sigma 24-70mm f/2.8 DG DN Art lens exerts superiority in mirrorless camera-dedicated designs, resulting in a reduced lens size and weight while achieving uniformity and high resolution from the center to the periphery throughout the zoom range. And designed to meet the high demands of both professional and advanced amateur photographers, the Sigma 24-70mm F2.8 offers best-in-class performance due to a sophisticated optical design that delivers high resolution throughout the entire zoom range. Employing three aspheric lenses, this zoom lens thoroughly subdues aberrations such as axial chromatic aberration or sagittal coma aberrations and offers high-resolution imagery uniformity and superior optical performance from the centre to the periphery throughout the zoom range. This lens also has a super Multi-Layer coating and Sigma’s proprietary Nano Porous coating to achieve high-contrast and clear image quality. Complementing the optical attributes, this lens also sports a stepping AF motor, which yields fast, precise, and notably quiet autofocus performance. At the wide end of the zoom range, a maximum magnification ratio of 1:2.9 suits working with close-up subjects and an 11-blade diaphragm contributes to a pleasing bokeh quality. Priced at $1,099, the Sigma 24-70mm f/2.8 DG DN Art lens is a great and affordable alternative to the Sony FE 24-70mm f/2.8 GM lens.
With a versatile 24 to 105 mm range, this Sony FE 24-105mm f/4 G OSS compact zoom brings outstanding G Lens excellence to a variety of still and movie applications. Compact, lightweight mobility makes it a natural choice for a wide range of subjects, while the remarkable blend of impressive optical quality, a constant F4 maximum aperture throughout the zoom range and fast, precise AF, deliver professional performance and reliability. Further adding to the versatility, this Sony 24-105mm f/4 also incorporates an Optical SteadyShot image stabilization system to minimize the appearance of camera shake for sharper handheld shooting, and this system can pair with select cameras’ sensor-shift image stabilization for even more effective blur control. Suiting both stills and video shooting, a Direct Drive Super Sonic wave AF motor, along with an internal focusing design, provides quick and quiet focusing performance as well as natural manual focus control. All these features make it an ideal complement for versatile shooting such as landscape, portrait, wedding and so on.
|Sony FE 24-70mm f/2.8 GM||$2,198||Amazon | B&H|
|Tamron 28-75mm f/2.8 Di III RXD||$879||Amazon | B&H|
|Sigma 24-70mm f/2.8 DG DN Art||$1,099||Amazon | B&H|
|Sony Zeiss FE 24-70mm f/4 ZA OSS||$898||Amazon | B&H|
|Sony FE 24-105mm f/4 G OSS||$1,398||Amazon | B&H|
|Sony FE 28-70mm f/3.5-5.6 OSS||$398||Amazon | B&H|
Best Wide-angle Zoom Lenses for Sony a7C
This Sony FE 12-24mm f/2.8 GM ultra-wide-angle zoom builds upon the success of the popular FE 12-24mm f/4 G lens, boasting an even wider constant aperture, complex optical design, and lightning-fast AF. Comprising a range of ultra-wide fields of view with a constant f/2.8 maximum aperture, this compact and versatile Sony FE 12-24mm f/2.8 GM lens is perfect for shooting landscapes, astrophotography and architecture while providing extra mobility for active sports shooters who want to capture ultra-wide perspectives. Plus, its fast f/2.8 aperture helps achieve detailed low-light images whether shooting indoors or outdoors without increasing ISO setting or slowing your shutter speed. It’s perfect for capturing amazingly mesmerizing night scenes and starry skies. The lens’ optical design utilizes four aspherical elements, three extremely precise XA (extreme aspherical) and one aspherical, that help achieve stunning resolutions combined with a smooth, creamy bokeh effect in out-of-focus areas. These elements reduce chromatic aberration and effectively minimize astigmatism, coma, and field curvature resulting in incredibly sharp images with edge-to-edge clarity. A new Nano AR Coating II that can be evenly applied to large lens elements or highly curved element surfaces has been developed to suppress internal reflections that can cause flare and ghosting for clear, crisp imagery. Complementing the optics is an XD Linear Motor system that uses four separate focusing motors to deliver especially quiet, precise, and quick autofocus performance. A floating focus design is employed, too, that aids in maintaining consistent results throughout the focusing range, from 11″ to infinity. As the the world’s widest range of zoom at F2.8, the Sony FE 12-24mm f/2.8 GM lens is perfect for landscapes, cityscapes, architecture and astrophotographers in search of uncompromising image quality and performance.
If you can’t afford the Sony FE 12-24mm f/2.8 GM lens and want to get a more compact and lightweight wide-angle lens, the Sony FE 12-24mm f4 version is probably the right one for you. Its ultra-wide 12-24mm range features cutting-edge refinements for stunning corner-to-corner G Lens resolution at all apertures, while quiet, fast, precise autofocus make it ideal for movies as well as stills. Despite its impressive performance, this lens is remarkably lightweight, compact, and mobile, offering quality and capabilities that will satisfy professionals’ and enthusiasts’ needs for wider fields of view when photographing landscapes, architecture, and more. Four aspherical elements in a new optical design effectively suppress aberrations that commonly occur in wide-angle lenses, achieving impressively high resolution that fully satisfies expectations for the G Lens brand. A Nano AR Coating has also been applied to individual elements to reduce surface reflections, flare, and ghosting for greater contrast and color fidelity when working in bright, backlit situations. In addition to the optical attributes, this lens is also distinguished by a Direct Drive SSM autofocus system, which benefits both stills and video application with its quick, quiet, and precise performance. So, this Sony FE 12-24mm f/4 G lens is an excellent choice for landscapes and architecture, and is compact, lightweight, and mobile so it can go wherever the great shots are without slowing you down.
Amazing fast and flexible wide-angle zoom lens! No matter what zoom setting or focus distance you shoot at, this Sony FE 16-35mm f2.8 GM lens delivers consistently superb resolution from corner to corner, with stunning background bokeh that can add depth and artistic impact to your images when required. Distinguished by its constant f/2.8 maximum aperture, this lens offers consistent performance throughout the zoom range and benefits working in low-light conditions. The optical design incorporates two extra-low dispersion elements to reduce chromatic aberrations along with two XA elements and three aspherical elements, which significantly controls spherical aberrations for a high degree of image sharpness and clarity. Additionally, a Nano AR coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in strong lighting conditions. Complementing the optical assets, this lens is also notable for its inclusion of an 11-blade circular diaphragm to produce smooth, soft-edged bokeh with selective focus imagery. For controlling focus, two Direct Drive SSM AF groups are employed that are quick and quiet, and also lend more responsive control for manual focus operation. All these features make it an ideal lens for landscapes, architecture, close up portraits, sports, action and much more.
Distinguished by its fast f/2.8 constant maximum aperture, the Sigma 14-24mm f/2.8 DG DN Art lens for Sony E-mount provides a versatile range of wide-angle focal lengths with excellent image quality while optimizing size and weight. Constant f/2.8 maximum aperture is well-suited for working in available light conditions and provides greater control over depth of field. It has a series of low dispersion and aspherical elements that minimize both chromatic and spherical aberrations throughout the zoom range, rendering clear, sharp, and color-accurate photos. Its lens elements are coated with a Super Multi-Layer Coating and a Nano Porous Coating (NPC) to help suppress lens flare and ghosting better compared to conventional anti-reflective coatings. This gives you better color-accuracy and sharp contrasts in your images under various lighting conditions. It also has a rounded 11-blade diaphragm that helps produce smooth bokeh and comes with a lens hood to protect the front element and help prevent lens flare. The uniform rendering performance and outstanding resolution to the edge of the frame make it the “definitive lens for astrophotography.” By utilizing the characteristics of the short flange focal length, this new-generation large-diameter zoom lens combines both compact body and unprecedented high-resolution image quality.
The Tamron 17-28mm F/2.8 Di III RXD (Model A046) is the smallest and lightest weight zoom lens in its class and provides unrivalled portability and superb image quality. The dramatic 17-28mm zoom range adds new dimensions to photographing landscapes, cityscapes, mountains and scenic vistas, as well as groups and building interiors. It has an f/2.8 maximum aperture which has a consistent brightness across its zoom range while having better control over its depth of field. The optical design incorporates a both XLD and LD elements, which produce a highly corrected image with reduced chromatic aberrations and color fringing for improved clarity and color accuracy. These elements also have the Broad-Band Anti-Reflection (BBAR) Coating to suppress internal reflections and lessen lens flare and ghosting, giving you better clarity, contrast, and color fidelity, especially when shooting under strong light conditions. Additionally, adding to the versatility, an RXD stepping motor enables quick, near-silent autofocus performance to suit stills and video, along with full-time manual focus override and a minimum focusing distance of 7.5″. So, this Tamron 17-28mm F/2.8 Di III RXD lens for Sony E mount is an ideal lens with affordable price for landscapes, architecture, close up portraits, and architectural shooting.
Providing a wide range of perspective from 130° (10mm) to 102° (18mm), the Laowa 10-18mm f/4.5-5.6 from Venus Optics is currently the world’s widest zoom lens for Sony E-mount full frame cameras. Although designed primarily for travel photography (compact and lightweight), the Laowa 10-18mm f/4.5-5.6 is also ideal for landscape, nature, and architectural shooting as well as astrophotography applications. The Laowa 10-18mm f/4.5-5.6 comprises of 14 elements in 10 groups with 2 pcs of aspherical elements and 1 pc of Extra-low dispersion elements. The patented optical design successfully minimizes the distortion and chromatic aberrations to its lowest but still can delivers a superb optical performance from corners to corners at the same time. Manual focus design permits working with subjects as close as 5.9″ away with a maximum magnification ratio of 1:4. Additionally, the manual aperture ring can be de-clicked for smooth, silent aperture changes to suit video applications, and the rear of the lens is threaded to accept 37mm screw-in filters.
|Sony FE 12-24mm f/2.8 GM||$2,998||Amazon | B&H|
|Sony FE 16-35mm f/2.8 GM||$2,198||Amazon | B&H|
|Sony FE 12-24mm f/4 G||$1,773||Amazon | B&H|
|Sigma 14-24mm f/2.8 DG DN Art||$1,399||Amazon | B&H|
|Tamron 17-28mm f/2.8 Di III RXD||$899||Amazon | B&H|
|Laowa 10-18mm f/4.5-5.6 FE||$849||Amazon | B&H|
|Sony Zeiss FE 16-35mm f/4||$1,348||Amazon | B&H|
Best Wide Angle Prime Lenses for Sony a7C
Highly recommended! Presenting an ultra-wide field of view, the Sony FE 20mm f/1.8 G is a sleek and wide-eyed prime lens characterized by its portability, advanced optical design, and intuitive handling. Delivering high corner-to-corner image quality even at the maximum aperture F1.8, the Sony FE 20mm f/1.8 G incorporates a pair of aspherical elements and three extra-low dispersion elements to greatly reduce a variety of aberrations and distortion. A special Nano Anti-reflective coating on lens elements suppresses reflections, flare and ghosting, while the fluorine coating on the front lens element repels water, oil, and other contaminants for sharp, clear images. The lens’ maximum f/1.8 aperture maintains exposure and depth of field, allowing you to isolate your subject from the foreground and background with amazing light gathering capabilities when shooting wide open. Benefitting the optics, this lens also sports a dual XD Linear Motor system that is quick and quiet, and also lends more responsive control for manual focus operation. Weighing only 373g, its small size and light weight make it ideal for videographers and vloggers, and perfectly suits a wide variety of scenarios like landscape, street, starry-nights, and environmental portraits.
Highly recommended! Combining a favored wide-angle focal length with an especially bright design, the Sony FE 24mm f/1.4 GM is a fast, versatile lens well-suited to landscape, nature, and street photography. This lens is extremely sharp across the frame even when wide open at its maximum aperture of f/1.4. The bokeh is silky smooth and it also offers fast, precise AF drive, plus top-level control and reliability that make it an outstanding choice for professionals. Its wide-but-usable perspective is complemented by the f/1.4 maximum aperture, which excels in low-light conditions and also offers increased control over depth of field. The Sony FE 24mm f/1.4 GM lens is constructed of 13 lens elements in 10 groups, including two XA (extreme aspherical) elements that effectively eliminating sagittal flare, and three ED (extra-low dispersion) elements to suppress ugly chromatic aberrations. This prime wide-angle lens brings consistently high resolution images that are ideal for landscape and architectural photography. The glass elements are also Nano AR-coated to control lens flaring and ghosting, thus increasing image contrast and color fidelity even when shooting in harshly lit environments. With smooth bokeh, fast and precise AF, plus top-level control and reliability, this Sony FE 24mm f/1.4 GM lens will be an outstanding choice for professionals.
Well made, affordable, and plenty sharp, the Tamron 20mm f/2.8 DI III OSD lens a compact and lightweight flexible ultra-wide prime lens that is ideal for landscapes, travel and documentary photography and interiors and architectural photography. It strikes a balance between gorgeous image rendering and superior operation. This lens uses a modestly bright maximum aperture to achieve a svelte and lightweight profile that is ideal for everyday, walkaround shooting. In addition, with a minimum focusing distance of 0.11m and magnification ratio of 1:2, this fixed focal lens offers an enhanced close-focusing that lets get closer to your subject. It also has an OSD stepping motor with a full-time manual focus override for quiet but fast and precise autofocus. And, the lens sports a moisture-resistant physical design along with a fluorine coating to suit working in inclement conditions. The downside is it doesn’t offer lightning-fast autofocus. Simply put, this Tamron 20mm f/2.8 Di III OSD M 1:2 lens for Sony E is really a superb ultra-wide lens at a highly attractive price.
Offering a new take on a popular wide-angle focal length, the Tamron 24mm f/2.8 DI III OSD lens is a versatile and lightweight lens that is perfect for for portraits, landscapes, street and architectural photography. By utilizing a modest f/2.8 maximum aperture, this lens is able to remain impressively sleek, making it ideal travel shooting applications. Also contributing to its versatility is a half life-size 1:2 maximum magnification ratio and 4.7″ minimum focusing distance for working with close-up subjects. An OSD stepping motor achieves fast and near-silent autofocus performance along with full-time manual focus override. Its lens elements have a Broad-Band Anti-Reflection coating that reduces surface reflections and prevents ghosting and lens flare. The downside is it doesn’t offer lightning-fast autofocus. Whether shooting on the street, full-scale landscapes or architectural photography, this lens delivers exceptionally crisp, colorful and beautiful images and helps you fulfill your creative ambitions.
|Sony FE 20mm f/1.8 G||$898||Amazon | B&H|
|Sony FE 24mm f/1.4 GM||$1,398||Amazon | B&H|
|Tamron 20mm f/2.8 Di III OSD M 1:2||$349||Amazon | B&H|
|Tamron 24mm f/2.8 Di III OSD M 1:2||$349||Amazon | B&H|
|Zeiss Batis 25mm f/2||$1,299||Amazon | B&H|
|Rokinon 24mm f/1.4 Manual Focus||$549||Amazon | B&H|
Best Ultra-Wide Angle Prime Lenses for Sony a7C
Available in Sony E mount, the Sigma 14mm f/1.8 DG HSM Art lens is one of the best ultra-wide angle lenses ever made to this date. Debuting the world’s first 1.8 wide-angle lens, the 14mm F1.8 Art incorporates the same groundbreaking aspherical element as Sigma’s critically acclaimed 12-24mm F4 Art. Boasting outstanding image quality from center to edge, the 14mm F1.8 Art features the largest glass mold (80mm) in the industry, offering photographers an ultra-wide prime with virtually no distortion, flare or ghosting. This lens utilizes both FLD and SLD glass elements to control chromatic aberrations and color fringing for notable clarity. Four aspherical elements, including the front large-diameter precision-molded glass element, also contribute to reducing distortion and spherical aberrations for improved sharpness and accuracy. Complementing the optical performance is an equally adept Hyper Sonic Motor, which provides fast, smooth, and near-silent autofocus performance. Additionally, a Super Multi-Layer Coating has been applied to individual elements to suppress lens flare and ghosting for greater contrast when working in strong lighting. Well-suited to astrophotography and low-light outdoor shooting, this lens presents a unique blend of a broad perspective and fast, flexible performance.
Blending an ultra-wide angle of view with a relatively fast f/2.8 aperture, this Samyang/Rokinon AF 14mm f/2.8 FE lens offers excellent image quality and beautiful background blur and it is a great option for Sony shooters looking to get a unique perspective that is well suited to architecture, landscapes, and more. Its relatively fast f/2.8 maximum aperture suits working in difficult lighting conditions, and its optical design incorporates three aspherical and two low dispersion elements to help reduce distortion and color fringing for improved clarity and sharpness. An Ultra Multi-Coating has also been applied, as well as an integrated lens hood, to suppress flare and ghosting for greater contrast and color accuracy when working in strong lighting conditions. Additionally, the lens’ autofocus motor provides quick and precise focusing performance, and manual focus override is also available for more refined control.
Delivering an impressively wide field of view, as well as incredible sharpness and color rendition, the Zeiss Batis 18mm f/2.8 lens for Sony E-mount is an ultra-wide prime, well-suited to interior, architectural, landscape, and astrophotography applications. This Zeiss Batis 18mm f/2.8 offers extremely wide 99° angle of view with a high degree of functionality and it is extremely sharp all the way to the corners. Within the Distagon optical design, this lens uses a series of aspherical and anomalous partial dispersion elements to greatly reduce color fringing, distortion, and other aberrations to realize sharp, clear, and color-accurate imagery. And the Zeiss Batis 18mm f/2.8 has an OLED display on the lens barrel, which highlights the focus distance and depth of field range for quickly recognizing your focusing parameters. As an autofocus lens, linear motors are used to deliver quick, quiet, and smooth focusing performance to suit both stills and video applications. Additionally, the lens body also sports a dust- and moisture-sealed design to permit its use in trying environments. Consistently excellent image quality right into the corners makes the lens perfect for the challenges of, for example, landscape, astro and architectural photography.
The Laowa 12mm f/2.8 Zero-D for Sony E-mount covers an ultra-wide 122° angle of view for you to create an outstanding landscape or architecture shot that no others can compare to. Shooting interior shots will also become much easier. The bright f/2.8 maximum aperture is well-suited to working in low and difficult lighting conditions. Three extra-low dispersion elements reduce chromatic aberrations and color fringing for increased clarity and color neutrality. Two aspherical elements are also featured to limit spherical aberrations for improved sharpness. Benefitting the optical attributes, this lens also features a precise manual focus design along with a floating optical system to maintain accurate rendering throughout the focus range, from 7.09″ to infinity. In one word, a truly wide-angle prime featuring a rectilinear optical design, the Laowa 12mm f/2.8 Zero-D for Sony E-mount is specifically meant to limit distortion for clear and accurate portrayals of landscapes and architectural subjects.
|Sigma 14mm f/1.8 DG HSM Art||$1,599||Amazon | B&H|
|Rokinon AF 14mm f/2.8 FE||$849||Amazon | B&H|
|Zeiss Batis 18mm f/2.8||$1,499||Amazon | B&H|
|Zeiss Loxia 21mm f/2.8||$1,499||Amazon | B&H|
|Laowa 12mm f/2.8 Zero-D||$949||Amazon | B&H|
|Laowa 15mm f/2 FE Zero-D||$849||B&H | Adorama|
|Tokina FiRIN 20mm f/2 FE MF||$699||Amazon | B&H|
|Rokinon 20mm f/1.8 MF E Mount||$599||Amazon | B&H|
Best Street and Walk Around Lenses for Sony a7C
The compact and lightweight Sony FE 35mm f/1.8 prime lens provides mobility and convenience for shooting a wide range of subjects from everyday snapshots, food photography, landscapes, night scenes and more. It provides outstanding corner-to-corner image quality and beautiful bokeh, while its quiet autofocus and tenacious tracking performance make it a great choice for both stills and movie shooting. It has a fast f/1.8 maximum aperture which can create images with a shallow depth of field and enables working under low-light conditions. To help ensure high-quality imaging in a range of conditions, the lens’ aspherical element reduces aberrations and field curvature while maintaining contrast and edge-to-edge sharpness. For fast, responsive focusing, the Sony FE 35mm 35mm uses a linear motor and internal focus design, while a customizable focus hold button locks focus when recomposing and can be set to activate other functions, including Eye AF, AF On, Aperture Preview, Shot Result Preview, or Bright Monitoring among others. In addition, its dust and moisture-resistant build and compact design make the Sony FE 35mm F/1.8 wide-angle prime lens a must-have for leisure and professional photographers alike.
A favored focal length for everything from street photography to portraiture, the Tamron 35mm f/2.8 Di III OSD M 1:2 lens is a sleek and lightweight take on one of the most popular and beloved focal lengths around. This wide-angle prime is distinguished by its f/2.8 design that strikes a balance between speed and a compact design, making for a highly portable lens for use in a variety of situations. Its OSD stepping motor lets it have a silent but fast and precise autofocus and features a full-time manual focus override. And its minimum object distance of 0.15m (5.9 in) allows for high-quality close-ups while its rounded seven-blade diaphragm renders pleasing bokeh. The Tamron 35mm can also produce sharp, color-accurate images thanks to its lens elements having a Broad-Band Anti-Reflection coating that prevents lens flares, ghosting, and reduces surface reflections. Additionally, the lens sports a moisture-resistant physical design along with a fluorine coating to suit working in inclement conditions.
The Sigma 35mm f/1.2 DG DN Art Lens is the first wide-angle AF lens with f/1.2 maximum aperture for the full-frame Sony-E Mount system. Delivering excellent image quality while optimizing size, as well as weight, the lens’ fast f/1.2 aperture helps to achieve shallow depth of field as well as extremely selective focus effects and is also suited for working in very difficult lighting conditions. Three low dispersion glass elements and three aspherical elements, including a double-sided element, effectively control spherical aberrations and distortion for increased sharpness and accurate rendering. Complementing its imaging capabilities, the lens includes a large Hyper Sonic Motor to produce quick, smooth, and quiet autofocus performance with full-time manual focus override. As part of the Sigma Art line series, this Sigma 35mm f/1.2 DG DN Art lens is designed to achieve truly notable optical performance and is ideally suited for creative and artistic applications.
Although it is a bit large, heavy and pricy, the Sony Zeiss FE 35mm f/1.4 ZA lens is an excellent choice for a wide range of photography, from portraits and snapshots to landscapes and cityscapes. In addition, if you’re interested in shooting night scenes, it has an ultra-wide f/1.4 aperture so that you can get even more light into the camera for impressive smooth video and stills, particularly when combined with a tripod. In addition, the f/1.4 aperture ensures that you can create narrow depth of field with a beautifully defocused background, and thanks to the nine circular blades, pointsof light appears rounded rather than the usual polygons. Ensuring excellent imagery are three aspherical elements and one Advanced Aspherical (AA) element which combat aberrations. Photographers and videographers will enjoy fast, responsive focusing due to the implementation of a direct drive Super Sonic wave AF Motor (SSM) and an internal focusing mechanism.
|Sony FE 35mm f/1.8||$748||Amazon | B&H|
|Tamron 35mm f/2.8 Di III OSD M 1:2||$349||Amazon | B&H|
|Sigma 35mm f/1.2 DG DN Art||$1,499||Amazon | B&H|
|Sony Zeiss FE 35mm f/1.4||$1,598||Amazon | B&H|
|Sony Zeiss FE 35mm f/2.8 ZA||$798||Amazon | B&H|
|Rokinon AF 35mm f/1.4 FE||$799||Amazon | B&H|
Best Portrait Lenses for Sony a7C
Designed as the ultimate portrait lens, the Sony FE 85mm f/1.4 GM telephoto prime lens (model SEL85F14GM) strikes a perfect balance between resolution and bokeh in a compact package. Characterized by its flattering perspective and fast f/1.4 maximum aperture, this lens is adept at isolation focus for shallow depth of field effects, as well as performing in low-light conditions. The optical design incorporates three extra-low dispersion elements to reduce chromatic aberrations and one XA (extreme aspherical) element, which significantly controls spherical aberrations for a high degree of image sharpness and clarity. Additionally, a Nano AR coating has been applied to limit ghosting and lens flare for increased contrast and color fidelity when working in strong lighting conditions. Pairing a bright f/1.4 aperture with a short-telephoto focal length, this Sony FE 85mm f/1.4 GM lens is ideally suited for portraiture and other situations where focus control is paramount. If you’re a portrait photographer, the Sony FE 85mm f/1.4 GM Lens is the lens you must need!
If you want a less expensive 85mm lens with excellent performance, try the Zeiss Batis 85mm f/1.8. The ZEISS Batis 1.8/85 is a particularly good choice for wedding photography and portrait shots, offering the high speed which provides plenty of creative scope to bring out the main subject. Thanks to its optical image stabilization, the ZEISS Batis 1.8/85 can capture outstanding images even under difficult, shifting light conditions. The Sonnar-type design, in conjunction with three anomalous partial dispersion elements, offers high contrast and accurate rendering by virtually eliminating color fringing and chromatic aberrations. As an autofocus lens, linear motors are used to deliver quick, quiet, and smooth focusing performance to suit both stills and video applications. In addition, a handy, rubberized focus ring supports manual focusing, providing the user with full creative freedom when it comes to image composition. Offering superb sharpness, fast & quiet auto focus and Dust and weather sealed, the Zeiss Batis 85mm f/1.8 is an ideal lens for portraits and wedding photography.
Being part of the G Master series, this Sony FE 135mm f/1.8 GM lens is capable of rendering high-resolution images across the frame and produces pleasing bokeh that is perfect for portraits. This lens sports a lightweight, weather-sealed magnesium alloy body weighing roughly 950g and a Fluorine-coated front element to resist dust and moisture. The maximum f1.8 aperture yields sharp and detailed photos even in low-light conditions, while its newly rearranged dual-autofocus groups allow for a 0.7-meter minimum focus distance and x0.25 maximum magnification. It can achieve this using Sony’s Extreme Aspherical (XA) and Super ED elements coupled with a fast f1.8 focal ratio and longer focal length for a shallower depth-of-field. Nano AR coating is also applied to the lens to minimize lens flares, surface reflections, flare, and ghosting while increasing color fidelity and contrast when shooting in strong lighting conditions. With high resolution and impressive bokeh, the new Sony FE 135mm f/1.8 GM lens features quick autofocus acquisition, all in a portable and lightweight size that’s ideal to transport on any portrait, wedding, or sports photography job.
Delivering both smooth bokeh and fine sharpness, the Sony FE 100mm f/2.8 STF GM OSS mid-range telephoto prime lens is a superb creative tool that offers outstanding G Master resolution plus innovative STF (Smooth Trans Focus) optics for magnificent bokeh. Separating itself from other portrait-length lenses, this 100mm f/2.8 features Smooth Trans Focus (STF) technology, which uses an apodization filter to realize notably smooth bokeh with rounded out-of-focus highlights in both the foreground and background. It features fast, precise, quiet DDSSM autofocus, and close-up capability up to 0.25x magnification. Contributing to a high degree of sharpness and clarity, the lens also incorporates one aspherical element and one extra-low dispersion element to suppress both spherical and chromatic aberrations. Additionally, a Nano AR coating has also been applied to reduce lens flare and ghosting for greater contrast and color fidelity when working in strong lighting conditions. It is also an apt performer, and utilizes a Direct Drive SSM to afford quick, quiet, and smooth autofocus performance. A macro switching ring permits selecting between two focusing ranges, including a dedicated close-up range for working with subjects as close as 1.9′ away with a 0.25x maximum magnification. Additionally, Optical SteadyShot image stabilization further contributes to producing sharp images when shooting handheld by minimizing the appearance of camera shake.
If you are looking for a great 85mm lens with an affordable price, the Sony FE 85mm f/1.8 lens willl be a nice choice! It features a compact, lightweight design for mobility, with high-performance optics and a large F1.8 maximum aperture that deliver outstanding image quality. The bright f/1.8 maximum aperture benefits this lens’s use in low-light conditions and also affords extensive control over depth of field when working with selective focus techniques. This lens utilizes Smooth Trans Focus (STF) technology to reduce chromatic aberration and provide softly dissolving bokeh without sacrificing image resolution. This means that the out-of-focus points of light in your photos retain a soft, blurry look as opposed to the harsh rings that can occur with lower quality lenses. The double linear AF motor itself affords quick, quiet, and smooth focusing performance, and this motor also offers snappy manual focus performance for fine-tuned control. Although the bokeh isn’t quite as smooth as the 85mm GM, it certainly comes very close, and it is not as large or heavy as the 85mm GM brother. Great portrait lens!
|Sony FE 85mm f/1.4 GM Lens||$1,798||Amazon | B&H|
|Zeiss Batis 85mm f/1.8 Lens||$1,199||Amazon | B&H|
|Sony FE 135mm f/1.8 GM||$2,098||Amazon | B&H|
|Sony FE 100mm f/2.8 STF GM OSS||$1,498||Amazon | B&H|
|Sony FE 85mm f/1.8||$598||Amazon | B&H|
|Sigma 85mm f/1.4 Art||$1,199||Amazon | B&H|
|ZEISS Batis 135mm f/2.8||$1,699||Amazon | B&H|
Best Macro Lenses for Sony a7C
Perfect macro lens for Sony a7C and one of the sharpest lenses that Sony has ever built. For those who frequently shoot macro photography and close-up portraits, the Sony 90mm f/2.8 is the very right lens: excellent sharpness, depth of field, and color rendition. Its maximum aperture of f/2.8 is effective when shooting in low light and allows for shallow depth-of-field focus. An internal focus system in which only the middle optical groups move when focusing provides fast autofocus action and a short minimum focus distance of 11″. If you are looking for a dedicated macro lens, or a lens that can combine both macro and portrait photography roles, then look no further than the Sony FE 90mm f/2.8 Macro G OSS lens.
Voigtlander 110mm f/2.5 Macro Apo-Lanthar ($498): Featuring an apochromatic design, the Voigtlander 110mm f/2.5 Macro Apo-Lanthar can produce detailed images with little to no aberration, even with the high resolutions of modern digital sensors. It allows users to get close to subjects with a 13.7″ minimum focus distance and a 1:1 magnification ratio. Additionally, a fast f/2.5 aperture means the lens can create an incredibly shallow depth of field as well as function well in low-light conditions. A 10-blade diaphragm is also present for silky smooth bokeh and the electronic contacts on the rear of the lens transmit Exif data to the body as well as enable in-body image stabilization.
Rokinon 100mm f/2.8 Macro ($549): Featuring a macro design, this Rokinon 100mm f/2.8 Macro lens affords a 1:1 maximum magnification ratio along with a minimum focusing distance of 1′. A bright f/2.8 maximum aperture is useful for working in a variety of lighting conditions and the minimum f/32 aperture helps to attain a long depth of field when working with close-up subjects. A long focal length lens with close focusing abilities and a high magnification ratio, this macro lens is ideal for making close-up, detailed images of nearby subjects.
|Sony FE 90mm f/2.8 Macro G OSS||$1,098||Amazon | B&H|
|Voigtlander 110mm f/2.5 Macro||$1,099||B&H | Adorama|
|Rokinon 100mm f/2.8 Macro||$549||Amazon | B&H|
|Venus Optics Laowa 15mm f/4 Macro||$499||Amazon | B&H|
Best Telephoto Prime Lenses for Sony a7C
Combining a super telephoto length, bright aperture, and lightweight design, this Sony FE 400mm f/2.8 GM OSS lens is ideal for sports, wildlife, and nature photographers. The fast 2.8 aperture provides great depth of field control for isolating subjects as well as maximizing performance for low-light shooting situations. Three fluorite elements reduce chromatic aberration and one ED element further increases performance and image quality by reducing flare and ghosting while shooting in harsh conditions. In addition, weighing in at just 6.4 lb, this Sony FE 400mm f/2.8 GM OSS lens is the lightest, sharpest and fastest focusing 400mm f/2.8 ever made thanks to ground-breaking lens design featuring Sony’s XD Linear Motor autofocus system, which quickly and quietly tracks subjects across the frame even while shooting at high speeds. Furthermore, Optical SteadyShot can combine with in-body stabilization to provide 5-axis stabilization. Video shooters will also be pleased to find power focus functionality, which provides smooth, even focus while shooting movies. The magnesium-alloy body of this lens is also weather sealed to protect against dirt, dust, and moisture while shooting in adverse conditions. A tripod collar can be rotated around the lens to provide maximum functionality with tripods or monopods. The only downside is the price – it’s very very expensive.
Just like the FE 400mm f/2.8 GM OSS lens, combining a super telephoto length, bright aperture, and lightweight design, the Sony FE 600mm f/4 GM OSS is ideal for sports, news, wildlife, and nature photographers. Three fluorite elements and one XA (extreme aspherical) element reduce chromatic aberration and color bleeding, while two ED (extra-low dispersion) elements and a Nano AR lens coating further increase performance and image quality by reducing flare, ghosting, and spherical aberations while shooting in harsh conditions. The f/4 aperture and eleven-blade circular diaphragm provide great depth of field control for isolating subjects, as well as maximizing performance for low-light shooting situations. The front element is further protected by a fluorine coating that helps prevent dirt and fingerprints from sticking, while making it easier to wipe clean if they do become attached to the lens surface. Weighing in at just 6.71 pounds, this lens is incredibly portable for glass of its size. Complementing that is Sony’s XD (Extreme Dynamic) Linear Motor autofocus system, which is driven by two motors to quickly and quietly track subjects across the frame, even while shooting at high speeds. Furthermore, high-performance Optical SteadyShot image stabilization is built right into the lens for sharp, blur-free images with a wide range of subjects and handheld shooting. Video shooters will also be pleased to find Power Focus functionality, which provides smooth, even focus while shooting movies. Along with the acclaimed FE 400mm F2.8 GM OSS lens, the new 600mm gives professional sports, wildlife and news photographers more options for capturing subjects at great distances with extreme accuracy and detail.
|Sony FE 400mm f/2.8 GM OSS||$11,998||Amazon | B&H|
|Sony FE 600mm f/4 GM OSS||$12,998||B&H | Adorama|
Best Telephoto Zoom Lenses for Sony a7C
Covering the frequently used 70-200mm focal range, the Sony FE 70-200mm f/2.8 GM OSS telephoto zoom lens (model SEL70200GM) offers extremely high rendering, blazing AF performance and extraordinary image stabilisation, making it a versatile choice for shooting wildlife, sports, weddings and a variety of other events and locations. This Sony FE 70-200mm f/2.8 GM OSS model delivers extraordinary sharpness and clarity throughout the entirety of its zoom range thanks to its three advanced lens elements including XA, Super ED and ED glass components, as well as its Nano AR coating. Optimized for speed, this lens is equipped with a fast and constant f/2.8 aperture that will be an asset in low-light conditions as well as for creating images with shallow depth of field. Bokeh is made even better by the implementation of an eleven-blade circular diaphragm for smooth out-of-focus areas. Also, there is a double-linear and ring Super Sonic wave Motor system that provides fast, responsive autofocus in both stills and video. It also has built in Optical SteadyShot™ image stabilisation for capturing sharp, blur-free subjects at all focal lengths and a rotating tripod mount that allows the camera to be quickly removed from a connected tripod as needed.
Flexible zoom range, fast design, and compact profile, the Tamron 70-180mm f/2.8 Di III VXD is a unique take on the ubiquitous and popular telephoto zoom. The greatest feature is its outstanding performance even while attaining a fast F/2.8 aperture across the entire zoom range and offering the world’s lightest and most compact package with a filter diameter of 67mm, maximum diameter of 81mm, 149mm (5.9 in) length (at the 70mm setting) and a weight of 810g (28.6 oz). Thanks to the generous use of special lens elements, the Tamron 70-180mm F/2.8 achieves excellent image quality, and with the short MOD (Minimum Object Distance) of 0.85m (33.5 in), it also broadens the possibilities for photographic expression. For enhanced AF drive efficiency, Tamron has newly developed the VXD (Voice-coil eXtreme-torque Drive), a linear motor focus mechanism that delivers excellent quietness and agile performance, thereby producing the highest level of autofocusing speed and precision in Tamron’s history. Additionally, a floating elements system is used to ensure consistent image quality throughout the focusing range, from 2.8′ to infinity. Autofocus is handled by a pair of VXD linear motor units, which deliver notably fast, accurate, and quiet focusing performance, and full-time manual focus control is also available. Priced at $1,199, this remarkable Tamron 70-180mm f/2.8 costs less than half of the Sony FE 70-200mm F2.8 GM OSS lens and it is really a great alternative to the Sony FE 70-200mm F2.8 GM lens.
|Sony FE 70-200mm f/2.8 GM OSS||$2,598||Amazon | B&H|
|Tamron 70-180mm f/2.8 Di III VXD||$1,199||Amazon | B&H|
|Sony FE 70-200mm f/4 G OSS||$1,498||Amazon | B&H|
|Sony FE 70-300mm f/4.5-5.6 G OSS||$1,273||Amazon | B&H|
Best Super Telephoto Zoom Lenses for Sony a7C
If you are looking for the best native 100-400mm telephoto zoom lens for shooting wildlife, sports and action, then look no further than the Sony FE 100-400mm f/4.5-5.6 GM OSS lens. Targeting sports, wildlife, and action shooters, this Sony FE 100-400mm f/4.5-5.6 GM OSS lens will satisfy many photographers and videographers who are looking for a bit of extra reach with their full-frame E-mount camera. With extraordinary resolution, outstanding sharpness and fast, precise autofocus, it lets you capture distant action with outstanding quality and immediacy. As a member of the G Master line, it is designed for outstanding resolution and sharpness with minimal aberrations, something assisted by the implementation of one Super ED and two ED elements as well as a Nano AR coating. The Direct Drive Supersonic Wave Motor (DDSSM) drives the heavy front focus lens group, and the Double-linear motor system enables rapid acceleration of the main lens group for capturing sudden subject motion. In addition to world-class image quality, this fine lens offers the mobility, reliability, and operability that professional applications demand. High-performance Optical SteadyShot image stabilization is built right into the lens for sharp, blur-free images with a wide range of subjects and handheld shooting. In one word, this Sony FE 100-400mm f/4.5-5.6 GM OSS lens is an exceptionally powerful photographic tool for a variety of enthusiast and professional shooters, in particular those that are commonly shooting sports or wildlife.
Targeting amateur, enthusiast, and professional nature, aircraft, railroad, and sports shooters, the Sony FE 200-600mm f/5.6-6.3 G OSS Lens will satisfy many photographers and videographers who are looking for a bit of extra reach with their full-frame E-mount camera. This Sony FE 200-600mm lens features an aspherical element and five Extra-low Dispersion glass elements to minimize chromatic aberrations while allowing you to have better image resolution and render beautiful bokeh and it will reliably track and accurately capture all types of moving subjects including birds, wildlife, athletes in motion and much more. A Nano AR Coating has also been applied to further reduce surface reflections and flare for improved contrast when working in bright and backlit conditions. Complementing the optics, this lens also features a sophisticated physical design, which incorporates a Direct Drive Super Sonic wave Motor to realize fast, near-silent autofocus performance as well as full-time manual focus override. Optical SteadyShot image stabilization minimizes the appearance of camera shake to produce sharper imagery when working handheld and a removable, rotating tripod collar is also featured for stable tripod and monopod mounting. In additionm this Sony FE 200-600mm f/5.6-6.3 G OSS lens is compatible with optional 1.4x and 2.0x teleconverters, for a maximum focal length of 840 mm at F9 or 1,200 mm at F13 with outstanding image quality and AF performance. Built-in optical stabilisation with three different mode settings allows images to be sharp and in-focus at extended super-telephoto focal lengths.
In addition, the Sony FE 1.4x & FE 2.0x Teleconverters are currently only compatible with the Sony FE 70-200mm F2.8 GM, the Sony 100-400mm F4.5-5.6 GM, the Sony 200-600mm F5.6-6.3 G, the Sony FE 400mm F2.8 GM and the Sony FE 600mm F4 GM lenses. They will not physically fit any other Sony E-mount lenses.
|Sony FE 100-400mm f/4.5-5.6 GM OSS||$2,498||Amazon | B&H|
|Sony FE 200-600mm f/5.6-6.3 G OSS||$1,998||Amazon | B&H|
|Sony FE 1.4x Teleconverter||$548||Amazon | B&H|
|Sony FE 2.0x Teleconverter||$548||Amazon | B&H|