Nikon Z6 II/Z7 II Firmware Update 1.10 Released, Improved EyeAF & Z6II gets 4K60p

Nikon has rleeased a new firmware update version 1.10 for its Z6 II and Z7 II full frame mirrorless cameras. Nikon Z6 II and Z7 II Firmware Update 1.10 is now available for download. Both full frame mirrorless cameras benefits from Improved EyeAF and the Z6 II gets support for 4K UHD 60p.

This Firmware Update 1.10 improves the performance of Eye-Detection AF on the Z7 II & Z6 II, and enables additional recording formats and video workflows when shooting with the Z6 II.

Nikon also announced the new Nikon Z6 II Essential Movie Kit which includes the Atomos Ninja V external video recorder allowing ProRes RAW recording. You can follow the links below to download the firmware update: Continue reading “Nikon Z6 II/Z7 II Firmware Update 1.10 Released, Improved EyeAF & Z6II gets 4K60p”

World’s Lightest Sigma 28-70mm f/2.8 DG DN Contemporary Lens Announced

Sigma has announced a new Contemporary-series full-frame mirrorless zoom lens, the .  The US price is $899 and it is now available for pre-order at  B&H Photo / Amazon and Adorama. Shipping is scheduled to start on March 12, 2021.

Available in Sony E and Leica L mounts, the 28-70mm f/2.8 DG DN C lens is based on Sigma’s existing 24-70mm f/2.8 DG DN Art lens, but starting the new zoom’s focal length at 28mm results in a significantly smaller and lighter lens without sacrificing optical performance. It will compete against the Tamron 28-75mm FE. Normal-length zoom lens is designed for Sony Full Frame E-Mount cameras, however can also be used with APS-C models where it provides an 42mm – 105 equivalent focal length.

Continue reading “World’s Lightest Sigma 28-70mm f/2.8 DG DN Contemporary Lens Announced”

Sony FX3 Cinema E-mount Camera Becomes Official

Sony has just announced the release of the Sony FX3 full frame cinema E-mount camera. The US price of the FX3 is $3,898 and available from B&H/Adorama/Amazon.

This compact addition to Sony’s Cinema Line blends the full-frame, S-Cinetone capture of the FX6 with the UHD 4K capture, autofocus options, and body size of the a7S III camera. The video-forward design of the FX3  also shares several handling and audio features with the FX6 and the ISO range and battery of the Sony a7S III.

The FX3 powered by the well-known Sony NPFZ 100 batteries used on cameras like the A7 IIIA7R IIIAlpha a6600, and A9 II.

Sony FX3 Cinema E-mount Camera Key Features

  • 10.2 megapixel[i] full-frame back-illuminated CMOS Exmor R™ sensor and BIONZ XR™ image processing engine
  • Ultra-high sensitivity with ISO expandable to 409,600 for very low light conditions and 15+ stops of dynamic range[ii]
  • S-Cinetone™ look profile which is inspired by the digital motion picture camera VENICE’s colour science, also used in FX9 and FX6 Cinema Line cameras, and records up to 4K 120p[iii]
  • Compact and lightweight body design with high operability for hand-held shooting, gimbal and drone-mounted work
  • Multi-thread (1/4-20 UNC) body makes it easy to mount accessories
  • Detachable XLR handle unit with two of XLR/TRS audio input
  • “Active Mode” image stabilisation[iv] supports handheld movie shooting
  • Fast Hybrid Auto Focus, Touch Tracking (real-time tracking) and Real-time Eye AF, also used in other Alpha™ cameras
  • Uninterrupted 4K 60p recording (Continued)[v] by Effective heat dissipation and built-in cooling fan

Press release: Continue reading “Sony FX3 Cinema E-mount Camera Becomes Official”

Pentax K3 Mark III Launch Delayed Indefinitely

Ricoh announces its Pentax K-3 Mark III APS-C DSLR has been delayed due to a parts shortage, The K3 Mark III DSLR that was scheduled to be announced at Japan’s CP+ show on February 25 now delayed indefinitely.

Pentax was set to launch the camera during the CP+ 2021 event, which takes place between February 25 and 28. However, the launch of the camera has been delayed.

The K-3 Mark III camera will have a new 25.73MP APS-C CMOS image sensor. ISO will range from 100 all the way up to 1,600,000 and the camera will feature sensor-shift image stabilization. The Pentax K-3 price to be around $1,999. Pentax explains the situation in a development update, see below : Continue reading “Pentax K3 Mark III Launch Delayed Indefinitely”

Panasonic unveils LUMIX S 70-300mm F4.5-5.6 MACRO OIS lens

Panasonic has announced a new telephoto lens, introducing the LUMIX S 70-300mm F4.5-5.6 MACRO OIS, which is priced at $1,249. Pre-order at AmazonB&HAdorama ($250 off).

The new LUMIX S 70-300mm F4.5-5.6 MACRO OIS is an L-mount lens for Panasonic’s full-frame Lumix S series cameras. Its construction is comprised of 17 elements in 11 groups, which includes one Ultra Extra-low Dispersion lens, two Extra-low Dispersion lenses and one Ultra-High Refractive element.

The Panasonic Lumix S 70-300mm has been on the Panasonic L-mount roadmap. See all current Panasonic L-mount lenses. Continue reading “Panasonic unveils LUMIX S 70-300mm F4.5-5.6 MACRO OIS lens”

Blackmagic Design Pocket Cinema Camera 6K Pro Officially Announced

The Blackmagic Design Pocket Cinema Camera 6K Pro with EF mount is now officially announced. The US price is $2,495 and it is now available for pre-order at B&HAdorama.

Blackmagic Design also announced the self-contained Web Presenter HD, and the robust ATEM Mini Extreme and ATEM Mini Extreme ISO live switchers.

The BMPCC 6K Pro features all the recording features, sensor, dynamic range, buttons, and ports as its predecessor, and adds a variety of important new features such as a 5″ tilting HDR capacitive touchscreen LCD with 1500 cd/m² brightness, a Pro EVF option, built-in clear/2/4/6-stop ND filters, dual mini-XLR inputs, an accurate timecode clock, an NP-F570 L-series battery slot, and updated Gen 5 color science. Continue reading “Blackmagic Design Pocket Cinema Camera 6K Pro Officially Announced”

Voigtlander APO-LANTHAR 35mm F2 Aspherical Fullframe Lens for Sony E-Mount

Voigtlander has announced the APO-LANTHAR 35mm F2 Aspherical lens for full frame Sony E-mount system. The prime lens is designed to virtually eliminate chromatic aberration. Like the APO-LANTHAR 50mm F2, it combines the performance of the best quasi-wide-angle lens in Voigtlander history with the compactness and ease of handling. Continue reading “Voigtlander APO-LANTHAR 35mm F2 Aspherical Fullframe Lens for Sony E-Mount”

Kamlan 32mm f/1.1 Lens for APS-C and Micro Four Thirds

Kamlan announced a new KamLan KL 32mm f/1.1 manual focus lens. The lens will be available for APS-C and Micro Four Thirds system cameras. The lens will be available for Canon EOS-M, Fuji X, Micro Four Thirds and Sony E mount camera systems. It measures 70mm (2.8”) in diameter, 92mm (3.6”) long and weighs 600g (1.3lbs).

Kamlan lenses are sold at: Amazon US | Amazon UK | Amazon DE

  • 32,000 yen ($303.60)
  • Manual Focus
  • 11 circular aperture blades
  • 9 elements in 7 groups including 5 pieces of high refraction glass
  • 40cm minimum focus distance
  • filter size 62 mm
  • size: 92 x 70 mm
  • weight: 601 g

Yongnuo 25mm f/1.7 STM ASHP Lens Announced for Micro Four Thirds

Yongnuo announced a new 25mm f/1.7 STM ASHP lens for Micro Four Thirds camera system. The price of the lens will be aproximately $100. Yongnuo lenses are sold at AdoramaB&H, and Amazon.

See Best Micro Four Thirds Lenses Continue reading “Yongnuo 25mm f/1.7 STM ASHP Lens Announced for Micro Four Thirds”

Canon celebrates production of 150 million interchangeable RF and EF lenses

Canon has produced 150 million interchangeable RF and EF lenses:

Canon Celebrates Significant Milestone with Production of 150 Million Interchangeable RF And EF Lenses

MELVILLE, NY, February 3, 2021– Canon U.S.A., Inc., a leader in digital imaging solutions, announced today that its parent company, Canon Inc., reached a new lens-manufacturing milestone with the production in January 2021, of the Company’s 150-millionth RF and EF series interchangeable lens for EOS cameras1— an RF70-200mm F2.8 L IS USM telephoto zoom lens (released in November 2019).

Production of interchangeable EF lenses for Canon EOS-series AF (Autofocus) single-lens reflex film cameras began in 1987 at the Company’s Utsunomiya Plant. Over the years, EF lenses have gained support from a wide range of users and production has since expanded to a total of four manufacturing bases, including Canon Inc., Taiwan; Canon Opto (Malaysia) Sdn. Bhd.; and Oita Canon Inc. in southern Japan.

EF lens production passed the 10-million-unit mark in 1995 and crossed the 50-million-unit threshold in 2009. In April 2014, the Company celebrated its first-in-the-world achievement of having manufactured 100 million interchangeable lenses, and now, setting a new world record for the most interchangeable lenses produced, Canon manufactured its 150-millionth RF and EF lens in January 2021. Laid end-to-end2, all of the RF and EF lenses Canon has manufactured thus far would measure approximately 7,736 miles in length — nearly equivalent to the Earth’s diameter, which measures approximately 7,917 miles.

Canon’s proprietary EF lenses, launched in March 1987 along with the EOS SLR camera system, have continued to evolve since their introduction, leading the industry through the incorporation of a wide range of innovative technologies, including such world’s firsts3 as the Ultrasonic Motor (USM), Image Stabilizer (IS) technology, and a multilayered diffractive optical (DO) element.

In 2018, Canon introduced the EOS R system and the RF series lenses, which pursues new heights of quality under the core concept of “Speed, Comfort and High Image Quality.” Today, the Company’s extensive RF and EF lens series lineup currently comprises a total of 118 models4, expanding the possibilities for image capture. In addition, thanks to the extensive lineup of lenses, Canon has maintained the number one market share for digital interchangeable-lens cameras since 2003 — a total of 17 years5— and in September 2019, the Company celebrated the production of 100 million EOS-series interchangeable-lens cameras.

Canon will continue refining its imaging technologies centered on its RF and EF lens lineup, striving to cater to the varying needs of photographers — from first-time users to advanced amateurs and professionals — while contributing to expanding the photographic and video imaging culture.